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Unfortunately for Soulé, Columbia owned the building, and Cohn retaliated by raising Le Pavilion’s rent.The director George Sidney, who made all with Novak at Columbia Pictures, became one of Cohn’s most trusted intimates.“People used to say, ‘I’m going to beat Harry,’” Sidney recalls.“But no one could beat Harry—he was too smart, he was too sharp. Mayer, Harry Cohn, Jack Warner—these men with their blood and their money and their reputations, they smelled out who had star material.”Cohn took all the credit for creating Rita Hayworth—he was also obsessed with her.“I went from covering Al Capone to covering Harry Cohn,” Bacon recalls. At the time, Le Pavillon was one of the most famous restaurants in the world: Through its doors, at 5 East 55th Street, came the Vanderbilts, the Rockefellers, the Cabots, and the Windsors.
He was singing to Kim Novak, sitting at a stageside table; she had just finished work on Alfred Hitchcock’s the most challenging film of her career.
threatened to become a national scandal on the eve of America’s long struggle for civil rights.
It started in 1957 at Chicago’s most famous nightclub, Chez Paree.
Cohn wanted to be known as the toughest, meanest mogul in Hollywood.
He brandished a riding crop and slashed it across his desk to terrify employees.